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Portrait and Figure Painting Workshop
February 13 @ 2:00 pm - 5:00 pm
During this free introductory session, local artist Dan Kiselev will go over the main topics to be presented during later sessions in general terms while demonstrating them by painting. A live model will sit for this session as Dan introduces himself, his experiences, and the interesting techniques picked up along his career path. This will allow potential students to get a feel for the instructor’s style and see if the workshop will benefit them and their practice. Dan’s work will be on display at The Common Room for viewing during the duration of the course, as he personally aids each student in their practice. All materials provided.
No matter how out there your technique or vision is, if you want to do anything remotely resembling realistic depiction, you have to have a solid grasp of technique.
From the artist:
Session 1 – Color theory and the power of contrast. Instrumental if you want to use color. I will go over the color theory, but from a perspective of using it to create a specific impact. I’ll touch on psychological effects of color, on how they influence composition, how to use color as a tool to create movement and how to use it to create contrast. Share practical techniques to help select color pallets, fix imbalances and draw the eye in specific ways.
Session 2 – Drawing vs. Painting. Here I will mostly focus on the technical difference between the two and show how drawing techniques and the drawing mindset can aid in painting. I’ll take this opportunity to go over perspective and how the geometry of it translates into portraiture and figurative painting. Not a bunch of topics, but this is a pretty technical, complex subject so I feel this will fill up the two or three hours of the class.
Session 3 – Proportion. All about portraiture and figure painting: the shorthand measures of a human face and boy, and how geometric perspective plays with those measures. At the same time I will stress the importance of not letting your shorthand techniques and measurements dictate your vision and that imperfection is a very powerful tool when it comes to painting people. I would request the model to take a more dramatic pose for this session so that we can more deliberately apply all these ideas.
Session 4 – Composition. Bringing all of previous lessons together in an interesting, cohesive composition. I’ll go over the hardwired ways in which human brain interprets composition and movement on the canvas, how color interacts with perspective and proportion, and how to use all the previously discussed ideas to move the eye through the painting. Again, not a ton of topics, but important, complex stuff.